Hi-Hat with Lee Fields
Explore the often-overlooked importance of hi-hat mic’ing and mixing with Lee Fields. This helps achieve a clear, vibrant drum sound. Lee challenges the common perception of the hi-hat, showing that it is not just a background element. Proper EQ and isolation can bring out its unique character.
Key Points:
- The hi-hat is often seen as an overlooked part of the drum kit. Properly mic’ing and mixing it is crucial for clarity and balance.
- The approach involves making radical EQ adjustments. Then, the entire signal chain is turned on and off to compare differences.
- Despite its high frequency, the hi-hat mic often picks up a lot of room sound and low-end frequencies.
- High-pass filtering significantly improves the hi-hat's sound, especially up to 2K on the console. It does this by removing unwanted lower frequencies.
- Removing mid-range frequencies from the hi-hat channel can highlight other elements, like the ride cymbal, more.
- Balancing the hi-hat and snare channels is key. Removing the mid-range from the hi-hat allows the snare to provide those frequencies. This creates a more cohesive drum sound.
- The hi-hat's main role in the mix is to add shimmer and clarity. Most other elements are captured by other mics.
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