Drum Reverb with Lee Fields

Drum Reverb with Lee Fields

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Drum Reverb with Lee Fields

301 Audio Mixing

Description

Delve into using effects on drums, specifically focusing on reverb. Lee Fields explains his process for integrating two distinct types of reverbs into a drum mix; a gated reverb and a standard drum reverb. He emphasizes the importance of treating the gated reverb as an extension of the snare drum, almost like an additional instrument.

Key Points:

Two main types of reverbs are used for drums: gated reverb and standard drum reverb. These are treated distinctly to achieve different sonic characteristics.
The gated reverb is closely associated with the snare drum, almost forming part of its sound. In contrast, the standard reverb is used to create a sense of space.
Lee walks through the process of setting up the gated reverb which involves experimenting with various settings like room type and size. There is no one-size-fits-all approach.
The gated reverb's effect is demonstrated by exaggerating its settings. This highlights the changes it brings to the drum sound.
The drum reverb used in the example is selected from a library of presets. The presets are modeled after vintage reverbs, with a preference for a snare plate setting.
Make EQ adjustments to the reverb return. This enhances specific aspects, like adding sparkle or reducing low-end frequencies.

Delve into using effects on drums, specifically focusing on reverb. Lee Fields explains his process for integrating two distinct types of reverbs into a drum mix; a gated reverb and a standard drum reverb. He emphasizes the importance of treating the gated reverb as an extension of the snare drum, almost like an additional instrument.

Key Points:

Two main types of reverbs are used for drums: gated reverb and standard drum reverb. These are treated distinctly to achieve different sonic characteristics.
The gated reverb is closely associated with the snare drum, almost forming part of its sound. In contrast, the standard reverb is used to create a sense of space.
Lee walks through the process of setting up the gated reverb which involves experimenting with various settings like room type and size. There is no one-size-fits-all approach.
The gated reverb's effect is demonstrated by exaggerating its settings. This highlights the changes it brings to the drum sound.
The drum reverb used in the example is selected from a library of presets. The presets are modeled after vintage reverbs, with a preference for a snare plate setting.
Make EQ adjustments to the reverb return. This enhances specific aspects, like adding sparkle or reducing low-end frequencies.