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Analog Mix Overview

Jeff offers his take on mixing on an analog console, specifically on the Midas Verona 560. From gain structure to routing, signal flow and more… it’s all vital to understand when mixing analog. Whether you’re currently using an analog console in your church or are looking to make the leap from analog to digital, Jeff has practical tips and insights to help you.

The Midas Verona 560

Analog consoles differ greatly from digital consoles, but are also similar in many respects. This isn’t the ultimate guide to mixing on an analog console but Jeff does offer his best practices using a Midas Verona 560 to do so.
  • 56 Channel, 8 Bus console
  • Originally priced around $50,000, now available on Churchgear.com for $1,800

Mix Process Overview

From drums to instruments including bass, guitars and keys, to vocals and more… Jeff dives deep into every aspect of his mix. He polishes it all off with an overview of his mix bus processing.

Gain Structure and Signal Flow

For those used to digital desks, or for those currently mixing analog… understanding gain structure and signal flow is vital to building a good mix. Gain structure properly sets levels to avoid distortion and noise. Signal flow is the path of audio signals through the console, a fundamental piece of effective mixing.

Analog → Digital

Certain features and layouts exist on digital consoles because of their origin in analog consoles.
  • Channel Strip Layout: The traditional layout in analog consoles is now reflected in most digital consoles.
ChurchGear believes in rescuing used production gear from churches, restoring and repurposing it to smaller churches and individuals. They help churches with extra production gear by freeing up your space and putting money back in your budget. They help churches that need production gear with gear at a price point their budget can afford. Whether you have too much production gear or not enough, reach out to them today at sales@churchgear.com and they can help.

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Audio
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