Hi-Hat with Jeff Sandstrom

Focus on mixing the hi-hat in a live drum kit, a component often overlooked. Delve into the specific challenges for managing the hi-hat sound. Highlight the importance of EQ adjustments and filtering. They help achieve clarity and presence without overpowering the mix.

Key Points:
  • Historically, the hi-hat was often considered a less critical element in live mixing compared to studio work. Sometimes it was just seen as another input.
  • In live mixing, the main concern for the hi-hat is to eliminate low-end frequencies and kick drum bleed. Also, reduce some mid-range frequencies.
  • Without processing, the hi-hat can sound messy and overwhelm the kit's overall sound.
  • A high-pass filter is crucial to remove low-end bleed, particularly from the kick drum. It also cleans up the overall sound of the hi-hat.
  • We make EQ adjustments to reduce mid-range frequencies. We aim to enhance the true character of the hi-hat. We also want to remove boxiness or muddiness.
  • The focus is on achieving a more organic and open sound for the snare. This also influences the hi-hat's treatment. The aim is to replicate the natural sound one would hear standing next to the drum kit.

Topics

Categories

Audio
301