From mic selection to signal processing and spatial treatment, this comprehensive breakdown covers advanced drum mixing techniques on the dLive console integrated with Waves SuperRack. The approach combines traditional live sound principles with modern digital processing methods, offering practical solutions for both in-person and streaming church experiences.

Each drum piece requires careful consideration in mic selection and positioning for optimal sound capture. The kick drum setup employs a Beta 91 and DPA 4055 combination, while the snare utilizes an SM57 for top capture and KSM 137 for bottom pickup. A strategic "geek mic" positioned above the kick drum adds valuable midrange content and provides additional context for monitor mixes.

The processing approach focuses on maintaining natural drum dynamics while adding character through strategic saturation and compression. The kick drum benefits significantly from R-Bass processing for enhanced low-end control, while snare processing includes careful expansion and excitation for front-of-mix presence. Tom processing incorporates preamp saturation and precise EQ curves, with special attention to maintaining phase relationships between multiple mics.

Room emulation plays a crucial role in creating a natural, cohesive drum sound. Two distinct reverb approaches - a short "drum room" simulation and a longer "drum vibe" effect - provide flexibility across different musical moments. The drum room reverb helps place the kit in a natural space, while the longer reverb creates specific artistic effects. Integration of these spatial effects back into the drum bus helps maintain a cohesive sound that translates well both in the room and on stream.